'Emma - Adaptation in the Movie Clueless'

'Amy Heckerlings post-modern film, Clueless, appropriates the metreless ideas and snip presented in Jane Austens Emma, collectioning to coeval audiences. Through the appropriation, Heckerling juxtaposes the societies, draft copy attention to the differences and at the same time, criticising her avow society. Heckerling successfully transforms the normal values of marriage, complaisant hierarchy and sexual practice roles, modifying them to suit a modern audience.\nHeckerling adapts the ordinal century contextual setting of, Emma, to appeal to contemporary audiences. Jane Austens novel Emma is set in the small town of Highbury, reflecting the slow-paced lifestyle of her time. The impressiveness of status and riches during the era is launch done the comment of Emma as, handsome, clever and rich. Clueless, however, underscores the brilliance of consumerism and materialism, depicted through the opening montage. The truehearted camera movements and the soundtrack Kids in America advertise emphasise the warm paced consumerist lifestyle of the twentieth century. Through the contextual transformation of Emma, Heckerling exemplifies the similarities amongst the two eras: the native values do not change, disregardless of the change in context.\nMarriage and relationships in Austens time has been altered to issue for modern perspectives on love. In, Emma, marriage was preponderantly based on social and monetary status. This is explored through Mr Eltons desire to exactly aggrandise himself by either winning Emma or, if not, try for missy Somebody Else. Furthermore, it was considered impossible for a friction match to marry international of their social classes. Emmas opposition to Harriets interest in Mr Knightley is spurred on by her belief that it would be unlikely for, a man of tops(predicate) abilities to be capture by truly inferior powers. In addition, she believes that their relationship would be an, ... '