'Museum of Art Essay\r'

'After visiting the Raleigh M social occasionum of Art, I find both impressions that conjured up setback imprints that I testament comp atomic number 18 and differentiate. The paint I aliked almost was titled, Jungle Camp, 2000 an Acrylic on screwvas 72 x 60 in. (182. 9 x 152. 4 cm), from one of North Carolina’s most see workmans, Maud Gatewood. Her characterizations record the varied experiences of a wandering life. indite on the back of the displacevas, the artist notes the origins of this picture: â€Å" detain in the Amazon with a bad stagecoach”. Con alrightd to a hut, she made the most of the opportunity.\r\nThe aid house painting titled, Venice without water, by North Carolina’s artist Donald Sultan was the painting I truly dislike because of the feelings it provoked. Sultan’s painting from 1990 was an acrylic painting and measured 96 x96 inches in dimension. Sultan use Butyl rubber, acrylic paint, and plaster on vinyl manifold t iles, which were mounted on four Masonite panels. Both painting represent landscapes captured by the artists’ eyes or finished a photograph. These paintings gave me two strong, but opposite, feelings: joy and sadness.\r\nI will describe the differences and contrast these two industrial plant of art. The two pieces of art works have some(prenominal) differences in style. First, the shape in the painting, hobo camp camp, is extraneous; while the second painting is squargon. The choice and use of color in the two paintings are totally opposite. Since color is most important to me, I chose the jungle camp painting due to the variety of glistering color that pop from canvas. The painting from Mrs. Gatewood is colorful, which gave me a feeling of joy and warmth. However, Sultan decided to use contrast instead of colors in his painting.\r\nThus, Sultan’s painting is filled with different tones of grey, black, or white. Gatewood’s painting represents a jungleâ₠¬â„¢s calculate from a patio or balcony. I can see tall palm trees all stuck to separately other in her painting, which gives the impression of abundance and fertility. She chooses galore(postnominal) different variations of green. For example, she utilizes certain hues of light green to cause an effect of sun reflection. There are two types of curtains on the patio, hanging on a fine line. The first is really colorful, a mix of tropical color, and the second is like a white veil, which you can see trough it.\r\nThe mix of materials and colors for the curtains, added to the jungle, procures me a sense of evasion, vacation, and relaxation. I was drawn to the atmosphere of quiet and tropic jumbled together, which is the reason that this painting elicited my interest. However, Sultan’s painting is the exact opposite of abundance and excursion. The whole artwork is quite blasphemous and sad. It’s a representation of the well-known Rialto’s bridge, which is an infrastructure between to planes. The first plane is an fiction of wood’s pillars, which surround the Venetian canals; they are use by the gondoliers to park their â€Å"original jack salmon”.\r\nThe second plane is the bridge; it looks pretty scarey and dark with no one crossing it. The final examination plane, which is the background, consists of some Venetian’s buildings. These buildings form a line that converges towards the bridge; which helps my eyes focus on the master(prenominal) subject the bridge. Sultan’s painting does not reflect the Venice that I saw flipper years ago. When I think about my take off to Venice, I have an enriched memory filled with silky colors from the Carnival. I remember vivid colors on all the masks, costumes, life, and crawl of people.\r\nSultan’s artwork doesn’t have any of my souvenirs. Instead, the painting is more like a sinister var. of the beautiful city, Venice. Although I do not like this p articular outlook of Venice, I realized after(prenominal) studying his painting that the artist is expressing his environmental menses of view of the city, which I completely agree with. As an admirer of this city, I feel concerned by the environmental issue depicted in the painting. The supposition that the excess of tourism could be destructive to a fragile city like Venice is a well-grounded concern.\r\nThe artist conveys his dismay over â€Å"the deteriorating environment with the invigorated mooring posts, the dry canal bed of mud-like tar, and the sorrow mood of the painting”. I think that colors or tonalities are the essence of the painting, like the beatnik and tunes are for music. In my view colors are strongly subjective, they can have different psychologist make and symbolist’s significations, they can differ from a culture to another; associating Black with mourning is normal, in our occidental countries, while in Asia it’s the demonstrable o pposite, White. In my case the colors are the main cause, on what I think is pretty or not.\r\n'